The perfume "Mam'zelle Victoire" by Rosine was launched in 1915, during a tumultuous period in world history. The First World War had already begun, with the conflict starting in July 1914. By 1915, the war had escalated into a full-scale global conflict involving many of the world's great powers. Europe was engulfed in trench warfare, with battles causing massive casualties and widespread devastation.
During this time, France was deeply involved in the war effort. The country was one of the major fronts of the war, with battles such as the Second Battle of Ypres and the Battle of Loos taking place in 1915. The French government and its people were fully mobilized, both on the home front and the battlefields. Nationalism and patriotic fervor were high, as France sought to defend itself against German aggression and recover occupied territories.
The name "Mam'zelle Victoire," translating to "Miss Victory," was particularly appropriate for a perfume launched during this period. It conveyed a sense of optimism and hope for victory in a time of great uncertainty and hardship. Paul Poiret, a renowned fashion designer and perfumer, likely chose this name to resonate with the national sentiment and to boost morale. The name combined a youthful and charming term of endearment, "Mam'zelle" (a casual form of "Mademoiselle"), with the powerful and aspirational word "Victoire" (Victory), embodying the spirit of resilience and triumph.
The perfume, and its name, would have strongly resonated with women of the period. Women were playing crucial roles in the war effort, both in France and abroad, taking on jobs and responsibilities traditionally held by men who were now at the front. The name "Mam'zelle Victoire" would have been a source of inspiration, symbolizing their contribution to the eventual success and the positive future they were fighting for.
The images and feelings evoked by "Mam'zelle Victoire" are those of patriotism, strength, and hope. The symbolism of the French Republic—tricolor flags, the rooster, cockade, and revolutionary clothing—alongside the central image of Marianne, who represents liberty and reason, would have been particularly meaningful to French women. These symbols reinforced their national identity and unity during a time of crisis, serving as a reminder of what they were defending.
It is said that Georges Lepape collaborated with Poiret on the perfume bottle and packaging design and, of course, completed all the artwork for the labelling and advertising. This advertisement appeared in 1916.
